Antarctica Encore: The work of Frances Hatch

Think of the most beautiful thing you have ever seen and then imagine the music to describe that image. What do you hear? A sweet little ditty or an amalgamation of sound, creating ambient noise that precisely matches the image in your head?

Antarctica Encore is a ‘cross modal improvisation’ by Artist, Frances Hatch and Musicians, Cathy Stevens and Udo Dzierzanowski. The collaboration of images and music to create and discover artwork in a new form is an entirely improvised and a captivating exploration of the world of art and the emotions behind images.

The performance took place Thursday 18^th February at Bournemouth University’s, Talbot House at 12.30pm. The improvisation was a fascinating insight into one of the world’s most remarkable sights through the mind of a passionate artist.

Frances Hatch was born in born in the Isle of Ely, Cambridgeshire in 1955 and enjoys the discovery of new art forms and nature. “I do lots of different things but there is a running theme throughout my life,” she said. “Even as a child I tended to like working outside with my dog, I just love meeting new landscapes”.

The artist’s most recent project involved her ‘bewildering’ and ‘very long’ trip to Antarctica. The images which were displayed in the university’s Atrium gallery represent Frances’ journey from the anticipation of waiting to embark on her adventure to the reflection of the journey behind her. “Because the gallery is located in a university I was able to put up works in progress that are not necessarily saleable” she said. “I was able to show the progression of a project and I like working like that.”

Originally, Frances trip was intended as a solitary venture, but after a group called ‘extreme’ got in touch with her, she agreed to be lead artist on the open exhibition.

Antarctic Encore began with an explanation of the Antarctic landscape. Various facts were thrown at the audience to help them envisage the vast space and lack of dimension which the Antarctic holds. “There is no way to define the scale of an ice berg or an albatross,” Frances said.

Before the performance the artists took time to enjoy a minute of meditation and prepare the audience for the adventure. The performance was delivered in four, ten minute movements to represent Frances journey.

‘Anticipation’ involved purely sounds from various percussion instruments and art materials from sand paper to socks with bells on. The peaceful noise created a real chill, sending shivers down the spines of the audience as the musicians moved fluidly around the floor.

‘Journey’ enabled Frances to demonstrate the clever use of materials as she scribbled away at her artwork. Seeming aimless at first, the beauty of her haphazard work became noticeable within a few moments, reflecting the vast space and colours of the Antarctic landscape.

The beautiful translucent sound of the violectra – a six string, electronic viola – washed over the entranced audience as Frances painted over the mishmash of colourful paper which she used as her canvas.

The materials Frances used were quirky to say the least; from branches to polystyrene blocks it was amazing how she manipulated the materials in to creating something so striking. As the music became frenzied, so did her painting. The artist began to use dark colours, blacks and blues and painting quickly as though frustrated with the landscape and mimicking its unpredictable existence.

‘On Location’ turned the audience’s attention to a power point which displayed images from the Antarctic alongside the artwork Frances produced amongst the glaciers. Accompanied with the sound of jerky strings, clashes, bangs and the impression of howling wind, the third movement enabled the audience to appreciate the intimidating side of the beautiful landscape. As the images appeared on screen it was easier to understand the lack of scale she spoke of at the beginning of the venture.

Beginning with a quote from Jenny Diski’s, Skating to Antarctica, the final movement, ‘On Reflection’ returned Frances to the makeshift canvas. She went on to add colour to the previously bleak landscape, tearing paper dramatically to the beautiful sound of the Violectra. “It is not white and it is not silent” she said.

Mesmerizing, does not touch on the way that the three minds of Udo, Cathy and Frances work together to create such artistic genius. From penguins to glaciers, Frances’ project covers every corner of the Antarctic world she visited, great or small, and the astounding emotion behind her art becomes apparent when watching her at work.

New Talent: The Alternative Performance Society, Cause Célèbre

Bournemouth University’s Alternative Performance society are not only alternative by name but by nature as well. The quirky bunch is mostly made up of 1^st and 2^nd year Script writers who “wanted to get involved in something other than West Side Story”. The society was set up last year, when Simon Lay, President and Director of their latest spectacle, realised there was no society for students to write and perform their own plays.

This year the group has unfortunately seen a sketch show fall through. So determined to make their latest venture ‘Cause Célèbre’ a success, Simon has booked out the Lighthouse in Poole for a night, fitting the bill alongside the likes of John Buchan’s, ‘The 39 Steps’ and Eve Ensler’s, ‘The Vagina Monologues’. Although the play was blind cast and is still, in reality, work in progress, Simon is sure that it will be ready in time for the opening night.

With possibility of acquiring the likes of Colin Baker and film critic and Culture Show presenter, Mark Kermode for guest appearances the ticket sales have rocketed. Another performance is being considered at the University’s Allsbrook Lecture Theatre.

Simon comes across as a passionate director and never fails to make you smile with his extravagant gestures and witty one-liners. He started the group a year ago under the name of ‘The Multifarious Spectacle of Surrogate Ideas’ but thinking this was a bit of a mouthful, changed it to ‘The Alternative Performance Society’ to attract a larger cast.The performers receive their funding from the University, but at only £700, this barely covers the cost of hiring out the Lighthouse. The cost to the production currently stands at over a grand, leaving the society hopeful of breaking even with ticket sales.

But is it money that they are after, or just recognition? “I want to show people that the University has some really talented performers and writers and I chose the Lighthouse as a new, bright and shiny theatre which will showcase this talent,” said Simon.

The script writers started Cause Célèbre back in September and with the first draft finished in November the show promises a slightly twisted jaunt into the lives of fairytale characters. This show is certainly not for the easily offended and where there is space for innuendo, it never fails to satisfy. With characters such as Widow Wanky and The Fugly Sisters, this hilarious panto-esque tale really is, as the script states, a “Drama school’s living incarnation of hell!”

Antarctica Encore

Think of the most beautiful thing you have ever seen and then imagine the music to describe that image. What do you hear? A sweet little ditty or an amalgamation of sound, creating ambient noise that precisely matches the image in your head?

Antarctica Encore is a ‘cross modal improvisation’ by Artist, Frances Hatch and Musicians, Cathy Stevens and Udo Dzierzanowski. The collaboration of images and music to create and discover artwork in a new form is an entirely improvised and a captivating exploration of the world of art and the emotions behind images.

The performance took place Thursday 18^th February at Bournemouth University’s, Talbot House at 12.30pm. The improvisation was a fascinating insight into one of the world’s most remarkable sights through the mind of a passionate artist.

Frances Hatch was born in born in the Isle of Ely, Cambridgeshire in 1955 and enjoys the discovery of new art forms and nature. “I do lots of different things but there is a running theme throughout my life,” she said. “Even as a child I tended to like working outside with my dog, I just love meeting new landscapes”.

The artist’s most recent project involved her ‘bewildering’ and ‘very long’ trip to Antarctica. The images which were displayed in the university’s Atrium gallery represent Frances’ journey from the anticipation of waiting to embark on her adventure to the reflection of the journey behind her. “Because the gallery is located in a university I was able to put up works in progress that are not necessarily saleable” she said. “I was able to show the progression of a project and I like working like that.”

Originally, Frances trip was intended as a solitary venture, but after a group called ‘extreme’ got in touch with her, she agreed to be lead artist on the open exhibition.

Antarctic Encore began with an explanation of the Antarctic landscape. Various facts were thrown at the audience to help them envisage the vast space and lack of dimension which the Antarctic holds. “There is no way to define the scale of an ice berg or an albatross,” Frances said.

Before the performance the artists took time to enjoy a minute of meditation and prepare the audience for the adventure. The performance was delivered in four, ten minute movements to represent Frances journey.

‘Anticipation’ involved purely sounds from various percussion instruments and art materials from sand paper to socks with bells on. The peaceful noise created a real chill, sending shivers down the spines of the audience as the musicians moved fluidly around the floor.

‘Journey’ enabled Frances to demonstrate the clever use of materials as she scribbled away at her artwork. Seeming aimless at first, the beauty of her haphazard work became noticeable within a few moments, reflecting the vast space and colours of the Antarctic landscape.

The beautiful translucent sound of the violectra – a six string, electronic viola – washed over the entranced audience as Frances painted over the mishmash of colourful paper which she used as her canvas.

The materials Frances used were quirky to say the least; from branches to polystyrene blocks it was amazing how she manipulated the materials in to creating something so striking. As the music became frenzied, so did her painting. The artist began to use dark colours, blacks and blues and painting quickly as though frustrated with the landscape and mimicking its unpredictable existence.

‘On Location’ turned the audience’s attention to a power point which displayed images from the Antarctic alongside the artwork Frances produced amongst the glaciers. Accompanied with the sound of jerky strings, clashes, bangs and the impression of howling wind, the third movement enabled the audience to appreciate the intimidating side of the beautiful landscape. As the images appeared on screen it was easier to understand the lack of scale she spoke of at the beginning of the venture.

Beginning with a quote from Jenny Diski’s, Skating to Antarctica, the final movement, ‘On Reflection’ returned Frances to the makeshift canvas. She went on to add colour to the previously bleak landscape, tearing paper dramatically to the beautiful sound of the Violectra. “It is not white and it is not silent” she said.

Mesmerizing, does not touch on the way that the three minds of Udo, Cathy and Frances work together to create such artistic genius. From penguins to glaciers, Frances’ project covers every corner of the Antarctic world she visited, great or small, and the astounding emotion behind her art becomes apparent when watching her at work.